Last night I received an air mail parcel from London...the new Lamb, 5. I had been waiting quite patiently for this to arrive. Back in January I preordered both the "special limited edition" CD as well as the vinyl LP version. Yes, I know I am a hopeless fanboy.
The special CD edition, limited to 2800 copies, came in a very nice hardbound book containing not one, but two CD's, several pages of liner notes, and a fold-out poster. The first CD contains the regular album, which I must say is quite good. When a band comes back after such a long hiatus there is alot of expectation; I did my best to put my preconceptions aside and give the album a very open listen. There is no doubt that this is Lamb, but this is no rehash or emulation of what they used to be. They've shape-shifted, shuffling to one side or another of where they maybe saw themselves want to step. Songs like Build A Fire and Rounds are just not like anything they've done before. Some of the songs seem as though they could have used a little more time to simmer; I get the feeling that the creation of this record wasn't rushed, but moved along more quickly than perhaps it should have...or maybe I'm misinterpreting its of-the-moment-ness. Regardless, 5 is a very diverse and exciting record. Have a listen to Butterfly Effect...
The second CD contains two more new songs - Dischord, and Back To Beginning which was written and performed with Damien Rice and Carrie Tree. It also contains alternate versions of several songs - most of which are presented as instrumentals - the vocal tracks stripped out. There is an acapella version of Strong The Root, and demo version of Rounds.
The pages of the book contain several photos and a brief account of each song. The photos range from shots of Andy and Lou, to studio equipment, to images that represent elements of the songs. Lou's notes attempt to let us in on the creative process and meaning behind each of the songs.
The fold-out poster is the classic Lamb logo comprised of, in mosaic fashion, the 2800 names of those who preordered the album. According to Lamb the album was partially funded by us, and while most of us would've been perfectly happy with just having another Lamb record, it was very cool that they went above and beyond to make the packaging and presentation so unique. It's a keepsake to remind us that we're music nerds and quite proud to be so. Thank you Lou and Andy! I am quite happy to be listening to new Lamb.
I've been told I have developed a spending habit. Clearly not true, though over the last few weeks I've been augmenting my vinyl collection in various ways. While this post proves, indeed, that I am more hipster than you, it also proves that I am nowhere near as hipster as this person.
Deliciously swirled, translucent, vinyl discus.
I've recently retrieved some old favorites from storage at my parents' house. These gems have been in waiting, faithfully counting the days in the closet of my old bedroom until they see the light once again. The most note-worthy among them are some original pressings: Master Of Puppets (Metallica - 1986), ...And Justice For All (Metallica -1988), The Number Of The Beast (Iron Maiden - 1983), Powerslave (Iron Maiden - 1984), Sad Wings Of Destiny (Judas Priest - 1976), Blizzard Of Ozz (Ozzy Osbourne - 1980), and March Of The Saint (Armored Saint - 1984). Listening to these classics has been a real treat of nostalgic delight.
I've also been hunting for some very particular titles...records that mean something special to me. Comus' First Utterance is a very unique and inspiring album. It's been repressed a few times since its first reralease in 1971, but always in short quantities; it sells quickly and immediately goes up in price when stock diminishes. My 180g copy is from Rise Above Records (Relics). I think it was a failure of a grey/white swirl, but I like it that way - it adds to the charm and oddness of this strange record. As you can see the artwork is very 70's and just gorgeous. The quality of the pressing is quite good as well; the audio sounds very clean and robust.
In a previous post I linked to a Youtube rip of Song To Comus. Here's Drip Drip...
Lou, oh, Lou. I would love to track down a vinyl copy of Beloved One if such a thing exists, but in the meantime I have managed to snag a copy of Lou Rhodes' One Good Thing. It still seems to be floating around on the internet in various places for around $16...get yours while you still can. This record sounds quite a bit different from its digital counterpart - perhaps partly the product of vinyl mastering. The end result, to my ears, is a more smooth and mellow mix; the additional instrumentation and reverb feel more organic.
Opeth's Deliverance and Damnation...I purchased both of these at In The Moment Records, a locally-owned shop in Brattleboro, VT that specializes in vinyl. These two albums were recorded at the same time, July through September of 2002. I was a Senior at Ithaca College when they were first released and I very much associate that time of my life with these records. They inspire within me creation and excitement for new opportunity. Here and now they are found on 180g double LPs. The first disc of Deliverance only contains two songs (one per side)...now that's how you do it! The 1970's prog/psych vibe of Damnation is a wonder to observe on vinyl.
Baroness finally rereleased their first two EPs, First and Second, on vinyl in the form of one 12" disc. This is Baroness before the multi-part harmonies...in fact these two EP's are more abrasive and metal than anything else they've done. That said, while they lack some of the signature characteristics of Red Album and Blue Record, they do contain the necessary elements that make Baroness what they are...brilliantly awesome.
In my last post I mentioned Barn Owl...my order from Thrill Jockey Records came in. Along with Ancestral Star I also ordered Eternal Tapestry's lastest, Beyond The 4th Door. Both of these records are guaranteed to chill you out rather nicely.
Ancestral Star, Barn Owl's third album, is a lush and layered drone, teaming with minimalist beauty. Here's a sample that I believe speaks that which my words cannot...
Beyond The 4th Door has been my introduction to Eternal Tapestry and I am quite satisfied - their third record provides a vibrant soundscape of psychedelic garage ambiance. These guys do what many other bands try to do, but they do it right...and rather fantastically well. The disc is a really cool translucent yellow/black swirl that can be seen in detail in the first image of this post.
Last Saturday, April 16th, was Record Store Day - a true holiday for us analog music fanatics. Rosie and I woke up early to drive out to In The Moment for when they opened specially at 9am. I had three titles as my top priority, all of which I am very happy to report are now within my possession. This first is the new Between The Buried And Me, The Parallax: Hypersleep Dialogues, which I shared in my last post. The RSD exclusive pressing of 1000 copies were 180g colored vinyl records (mine is clear, as you can see below). According to an interview with Paul Waggoner, Hypersleep Dialogues is part one of a two-part concept. No word yet as to when BTBAM plan to release the second volume or if it has yet been recorded.
The next disc on my hit list was Neurosis' Sovereign rerelease, limited to 600 copies. The vinyl is a 180g disc in a light violet (pink?) swirl. Sovereign, which has been long out of print, was originally released in 2000 as an EP - though its four songs, recorded in the same sessions as Times Of Grace, clock in at around 33 minutes. It will be released again shortly on regular black vinyl and CD by Neurot Recordings.
Finally, what would RSD have been without an Opeth single containing a song that has only ever been released in a video game soundtrack? The Throat Of Winter is not what I was expecting at all. The song is an acoustic jam with a 70's vibe, and offers quite an interesting listening experience. Hear for yourself...
The 7" disc (yes disc) contains just the one song on one side. What's on the other side? A laser etched Opeth logo of course!
So with all of these recent purchases you may ask what's still on my vinyl short list? The new Storm Of Light for sure, some Decemberists, the new PJ Harvey, Bloom by Lou Rhodes if I can track one down, Obscura's Omnivium, Soundgarden's Badmotorfinger, Isis' Wavering Radiant, and lots and lots of Patti Smith! Oh..and this. ...so...styluses at the ready..."VinylinumHabitus!"
It's been 8 years since Manchester's (UK) Lamb have released a record. They are currently slated for a May 5th release, aptly titled “5” (this being their fifth album)...though they are already taking preorders for the special edition of the album on CD and vinyl, and are already selling tickets to the launch party performance at the Manchester Cathedral. Why preorder so soon? Lamb are recording in Andy Barlow's home studio and releasing the record on their own; it's all being funded by fan preorders. To see what you're getting yourself into you can listen to mixes of two new songs on their myspace page: Strong The Root, and She Walks. Part of me hopes that these are both in fact alternate mixes, and Lamb have not yet revealed the true sound of the record. Still, it is so very lovely to hear Lou's distinctive and luscious voice over Andy's particular blend of sometimes trance-y electronica once again. There is a lot going on in the world of Lamb right now and that is very exciting for us hopeless fanboys that thought they'd never hear new Lamb songs or have a chance to see them perform live again (they did reunite for string of shows in 2009). In an interview with The Backstage Rider, Lou describes the intent behind the new record as a "...return to the feeling and ethos of the first album. As I said earlier, the rollercoaster ride of our journey...had led us away from the essence of what Lamb was meant to be. The first album had a freshness and purity that was lost along the way and it also had a raw, grittiness that came from a very simplistic way of working. So with this new album we’ve been re-exploring that sense of freshness and rawness and I think people will hear Lamb through and through but with a few surprises all the same." (Lou Rhodes) Go read the whole interview here.
She Walks:
Some related side-notes...
Andy Barlow is also releasing his own record under the name LOWB on February 28th, called Leap And The Net Will Appear...and yes you can preorder that too. Andy has several tracks available on his LOWB website as a preview for potential buyers. If you enjoy the music behind Lamb I'd highly recommend checking out Andy's solo pieces; while still recognizable as the electronic backbone of Lamb, his solo work is clearly written with a different intention. Where one would expect to hear Lou, we hear adventurous synth melodies or a guest vocalist. The structure of his songs, each now no longer necessarily accommodating vocals, are a bit more free to roam wherever and however they happen. The similarities to his work in Lamb will surely keep us satisfied until May, when we get to indulge in something we haven't heard in years...an entire album of new Lamb material.
During Lamb's hiatus Lou Rhodes had released three of her own stripped-down, folky records. All three have been astonishingly beautiful. The first, Beloved One, remains my personal favorite. It seemingly maintains a perfect balance of professional production without sacrificing each song's straightforward and simple nature. Although various accompaniment appears throughout the record it never detracts from the core: Lou's guitar and ambrosial voice. Bloom, Lou's follow-up to Beloved One, is her most production-heavy offering. Like Beloved One the songs are again very strong - especially lyrically - but this time the additional musicians, instruments, and effects cause the songs to feel much more polished and engineered. While this is a departure from the groundwork of her first solo record, it really isn't a bad thing. In fact the change of pace is quite nice - Lou didn't step into the studio and just crank out another 'Beloved One'. A great example, and perhaps the highlight of the album for me, is They Say. Starting out with the basics of just a few sad notes from her acoustic guitar, the song's mood becomes more eerie and brooding as additional musicians join the fray. Eventually they reach the climax, a storm of dissonance and emotion peaked by Lou's vocal lamentations. Here's a great live version:
Lou's latest, One Good Thing, is her most raw and simple record; in many ways it is a reaction to Bloom. It was recorded 'live' in Andy's studio in just a few weeks. Production was kept to a minimum, though at times the reverb, either electronically employed or natural, is just a tad much; once noticed my ear had a hard time letting it fall naturally in the mix. One Good Thing feels so much more intimate than even Beloved One. There is no filter between the listener and the creator; what Lou has written for herself she shares directly with all of us in an open and fearless expression, straight from her heart. Lyrically, Lou is always Lou; the words of her solo albums are a natural progression from that of Lamb, and as always unmistakably honest and full of love. These are Lou's truths which reflect a stillness of being; listening to her records is meditation.
Last night I received an air mail parcel from London...the new Lamb, 5. I had been waiting quite patiently for this to arrive. Back in January I preordered both the "special limited edition" CD as well as the vinyl LP version. Yes, I know I am a hopeless fanboy.
